From Ian Fleming's "Goldfinger"
CHAPTER 13
(Of Tilly Masterton, after their auto "accident".)
Although she was a very beautiful girl she was the kind who leaves her beauty alone. She made no attempt to pat her hair into place. As a result, it looked like a girl’s hair should look -- untidy, with bits that strayed and a rather crooked parting. It provided the contrast of an uneven, jagged dark frame for the pale symmetry of her face, the main features of which were blue eyes under dark brows, a desirable mouth, and an air of determination and independence that came from the high cheek-bones and the fine line of the jaw.
© 1959 by Glidrose Productions Ltd.